Sunday, September 19th
WAC member and fellow non-profit Rattle magazine is hosting a day of poetry in Wrightwood, featuring two prominent poets. All proceeds go to the Wrightwood Arts Center.
11 a.m. – 1 p.m.| Workshops with Kathleen McClung & Michael Meyerhofer
The workshops are intended to benefit poets of all experience levels. The cost is $20 per person. Register below.
1 p.m. – 2 p.m. | Lunch Break
No food is provided; bring your own lunch or walk to one of the local restaurants!
2 p.m. – 3:30 p.m. | Poetry Reading & Open Mic
Featuring Kathleen McClung & Michael Meyerhofer, open mic sign-up at the door. (free & open to the public)
Note: Workshops will be held at the Wrightwood Arts Center and the gazebo next to the Wrightwood Community Building, and the reading will be outside on the deck of the Village Grind. The arts center is on a second floor above the coffee shop, and there is no elevator. Please let us know if you have special needs when you register, and we will adjust the workshops accordingly. We will also be following county health guidelines regarding Covid-19, which means masks and social distancing may be required. An email with more information will be sent a few days before the event.
Wrightwood Arts Center / Village Grind
6020 Park Drive #5
Wrightwood, CA (map)
Wrightwood Community Building
1275 Hwy 2
Wrightwood, CA (map)
Workshops and Leaders
Winner of the 2020 Rattle Chapbook Prize for A Juror Must Fold in on Herself, Kathleen McClung is also the author of Temporary Kin, The Typists Play Monopoly, and Almost the Rowboat. A Pushcart Prize and Best of the Net nominee, she is the winner of the Rita Dove, Morton Marr, Shirley McClure, and Maria W. Faust national poetry prizes. Her work appears widely in journals and anthologies, including Fire & Rain: Ecopoetry of California, Raising Lilly Ledbetter: Women Poets Occupy the Workspace, Atlanta Review, Connecticut River Review, Southwest Review, and others. Kathleen lives in San Francisco and teaches at The Writing Salon and Skyline College, where she served for ten years as director of the annual Women on Writing conference. She is associate director and sonnet judge for the Soul-Making Keats literary competition. In 2018-19 she was a writer-in-residence at Friends of the San Francisco Public Library. For more information, (visit her website).
“Looking Around, Looking Within: Witness as Meditation in Poetry”
Poets have always closely observed both our outer and inner worlds. As we emerge this year from long lockdowns, we may now see with an even more penetrating vision. In this small, intimate workshop we’ll read, discuss and write short narrative poems that balance mystery and clarity, the startling and the soothing. We’ll focus on artfully combining imagery, language and musing to generate free and formal verse. New and seasoned poets welcome!
Michael Meyerhofer is a poet and fantasy author who believes those two genres genuinely can get along. His fifth poetry book, Ragged Eden, was published by Glass Lyre Press. His fourth, What To Do If You’re Buried Alive, was published by Split Lip Press. In addition to his poetry books, he has published two fantasy trilogies. His debut fantasy novel, Wytchfire (Book I in the Dragonkin Trilogy), was published by Red Adept Publishing, and went on to win the Whirling Prize and a Readers Choice nomination from Big Al’s Books and Pals. Michael has won the Marjorie J. Wilson Best Poem Contest, the Laureate Prize for Poetry, the James Wright Poetry Award, and the Annie Finch Prize for Poetry. He received his BA from the University of Iowa and his MFA from Southern Illinois University Carbondale. An avid weightlifter, medieval weapons collector, and unabashed history nerd, he currently lives, teaches, and inhabits various coffee shops around Fresno, CA. For more information, (visit his website).
“Pulling Up the Floorboards: Two Radical Approaches to Revising Poems”
Every cathedral, every temple, every watchtower begins by placing the first brick. But what happens if you’re halfway through construction and realize your project is coming out a bit crooked? Do you tear it all down and start over? Luckily, in writing, even the most radical reconstruction can be done a lot more easily than you think (and with significantly less cuts and bruises). In this class, poet and editor Michael Meyerhofer discusses two radical revision techniques that can be used either to repair a poem that isn’t quite working, or else completely revamp it into an entirely new piece. These techniques can also be helpful for pieces you enjoy because they’ll help you notice and become more mindful of your own aesthetic (or even help you establish an aesthetic, if you haven’t yet).
Registration is closed and workshops are full.